"Lehnsherr, played by Michael Fassbender, of course becomes Magneto, and the chief villain of much of the X-Men mythos. Magneto and Professor X are archrivals who once were the best of friends, and their frustrated regard for one another has long been at the core of what makes the X-Men one of the most compelling superhero stories.
Where so many superhero worlds are black and white, good and bad, the X-Men have villains who have hearts, minds, feelings, and loves; villains who once were heroes. And the heroes, well, they're plenty screwed up themselves. They're heroes the world hates and fears.
The mutant identities at the core of the X-stories have served as metaphors for both race and sexuality/gender at different times. This film is squarely in the sexuality and gender camp—in fact, its racial politics are pretty awful. But mutant identities are framed as attractive or unattractive, passing or non-passing, and something that can be “cured.” Or exploited.
“Bromance” is nothing new at the movies these days, but X-Men: First Class is far more than that, and far more than just a prequel to a series that had about outlived its freshness. It's shot through with queer subtexts, a film that isn't about learning to say “I love you, man,” but rather about people who cannot process or deal with their love for one another." Read More
No comments:
Post a Comment